|
$/jr |
1 sem |
Jour + |
2 sem |
mois |
Mois + |
| Microphones… |
|
| AKG C-426
(stéréo) |
75 |
300 |
43 |
525 |
750 |
563 |
| AKG D112 |
15 |
60 |
9 |
105 |
150 |
113 |
| AKG 451E /
AKG 451EB |
10 |
40 |
6 |
70 |
100 |
75 |
| AKG
460ULS/CK61 |
15 |
60 |
9 |
105 |
150 |
113 |
| AKG C535EB |
15 |
60 |
9 |
105 |
150 |
113 |
| Audix ADX50
(cardioide) |
10 |
40 |
6 |
70 |
100 |
75 |
| Audix SCX25
(cardioide) |
25 |
100 |
15 |
175 |
250 |
188 |
| BEYER M160
(micro RUBAN) |
25 |
100 |
15 |
175 |
250 |
188 |
| BEYER M-201 |
15 |
60 |
9 |
105 |
150 |
113 |
| BEYER
OPUS87/88 (clip-on gooseneck) |
10 |
40 |
6 |
70 |
100 |
75 |
| BEYER OPUS99 |
15 |
60 |
9 |
105 |
150 |
113 |
| Boite directe
(Countryman, Radial) |
10 |
40 |
6 |
70 |
100 |
75 |
| C-Ducer
(paire) |
30 |
120 |
18 |
210 |
300 |
225 |
| Coles 4038
(micro RUBAN) |
35 |
140 |
20 |
245 |
350 |
263 |
| DPA 3528
(paire wide-cardioide + accessoires) |
80 |
320 |
46 |
560 |
800 |
600 |
| DPA 4004 (2)
+ PSU (omni) |
70 |
280 |
40 |
490 |
700 |
525 |
| DPA 4006
(omni) aka "B&K" |
40 |
160 |
23 |
280 |
400 |
300 |
| DPA 4011
(cardioide) / 15 (sub-cardioide) |
40 |
160 |
23 |
280 |
400 |
300 |
| DPA 4037
(compact omni) |
35 |
140 |
20 |
245 |
350 |
263 |
| DPA 4060
(miniature) |
25 |
100 |
15 |
175 |
250 |
188 |
| DPA 4090
(omni) |
20 |
80 |
12 |
140 |
200 |
150 |
| DPA 4099
(Instruments) |
30 |
120 |
18 |
210 |
300 |
225 |
| DPA CAP0400
(gooseneck pour 4028) |
10 |
40 |
6 |
70 |
100 |
75 |
| Earthworks
SR-30 (cardioide) |
25 |
100 |
15 |
175 |
250 |
188 |
| Electrovoice
RE-20 (cardioide) |
15 |
60 |
9 |
105 |
150 |
113 |
| Electrovoice
RE-2000 (cardioide) |
25 |
100 |
15 |
175 |
250 |
188 |
| Lauten Audio
Clarion (cardioide) |
20 |
80 |
12 |
140 |
200 |
150 |
| Lauten Audio
Horizon (tube, cardiode) |
30 |
120 |
18 |
210 |
300 |
225 |
| Lauten Audio
Oceanus (tube, multi-patron) |
40 |
160 |
23 |
280 |
400 |
300 |
| Neumann
KM-150 (hypercardioide) |
30 |
120 |
18 |
210 |
300 |
225 |
| Neumann KM84i
/ KM-184 (cardioide) |
25 |
100 |
15 |
175 |
250 |
188 |
| Neumann
KMS105 (hypercardioide à main) |
30 |
120 |
18 |
210 |
300 |
225 |
| Neumann TLM49
(cardioide) |
35 |
140 |
20 |
245 |
350 |
263 |
| Neumann
TLM103 (cardioide) |
30 |
120 |
18 |
210 |
300 |
225 |
| Neumann
TLM170 (multi-patron) |
50 |
200 |
29 |
350 |
500 |
375 |
| Neumann
U47fet / U87ai (multi-patron) |
50 |
200 |
29 |
350 |
500 |
375 |
| Røde CLASSIC
II (tube) |
30 |
120 |
18 |
210 |
300 |
225 |
| Røde NT1000
(cardioide) |
15 |
60 |
9 |
105 |
150 |
113 |
| Røde NT2
(cardioide) |
15 |
60 |
9 |
105 |
150 |
113 |
| Røde NT4
(stéréo) |
25 |
100 |
15 |
175 |
250 |
188 |
| Røde NT5
(paire cardioide) |
30 |
120 |
18 |
210 |
300 |
225 |
| Røde NT 2000
(multi-patron) |
25 |
100 |
15 |
175 |
250 |
188 |
| Royer R122
(micro RUBAN actif) |
25 |
100 |
15 |
175 |
250 |
188 |
| Schertler
DYN-__-SET (micro contact) |
20 |
80 |
12 |
140 |
200 |
150 |
| Sennheiser
MD421u (cardioide) |
10 |
40 |
6 |
70 |
100 |
75 |
| Sennheiser
MKH40 (cardioide) |
25 |
100 |
15 |
175 |
250 |
188 |
| Sennheiser
MKH80-40 (cardioide) -50 (hypercardioide) |
35 |
140 |
20 |
245 |
350 |
263 |
| Shure BETA57
/ BETA87A (cardioide) |
10 |
40 |
6 |
70 |
100 |
75 |
| Shure KSM32
(cardioide) |
15 |
60 |
9 |
105 |
150 |
113 |
| Shure SM57 /
SM58 (cardioide) |
10 |
40 |
6 |
70 |
100 |
75 |
| Shure SM91
(plaque cardioide) |
15 |
60 |
9 |
105 |
150 |
113 |
|
|
|
|
|
| Microphones spéciaux… |
|
|
|
|
| Beyer DT290 (casque
d'animateur, intercom) |
25 |
100 |
15 |
175 |
250 |
188 |
| DPA 4060
(lavalier) |
25 |
100 |
15 |
175 |
250 |
188 |
| DPA 4065/4066
(micro-casque) |
30 |
120 |
18 |
210 |
300 |
225 |
| DPA Windpac
(windscreen-zeppelin) |
15 |
60 |
9 |
105 |
150 |
113 |
| Neumann
KMR81r (shotgun) |
50 |
200 |
29 |
350 |
500 |
375 |
| Rode NTG1 /
NTG2 (shotgun) |
25 |
100 |
15 |
175 |
250 |
188 |
| Sennheiser
Evolution500 (sans-fils, micro en sus) |
65 |
260 |
38 |
455 |
650 |
488 |
| Sennheiser
HMD25-1 (casque d'animateur) |
35 |
140 |
20 |
245 |
350 |
263 |
| Sennheiser
MKE104 (lavalier pour s/f) |
10 |
40 |
6 |
70 |
100 |
75 |
| Sennheiser
MKE2-GOLD (lavalier pour s/f) |
10 |
40 |
6 |
70 |
100 |
75 |
| Sennheiser
MKH416 / MKH80 (shotgun) |
35 |
140 |
20 |
245 |
350 |
263 |
| Sennheiser
MKH418 (shotgun stéréo) |
50 |
200 |
29 |
350 |
500 |
375 |
| Sennheiser
MKH50 + suspension (hypercardioide) |
35 |
140 |
20 |
245 |
350 |
263 |
| Sennheiser
MZA900P (adapt. 48v pour MKE104/MKE2) |
5 |
20 |
3 |
35 |
50 |
38 |
| Sennheiser
SET1083 + MKE2 (sans-fils) |
30 |
120 |
18 |
210 |
300 |
225 |
| Sennheiser
Zeppelin+susp. |
15 |
60 |
9 |
105 |
150 |
113 |
| Van Den Bergh
perche-carbone |
15 |
60 |
9 |
105 |
150 |
113 |
|
|
|
|
|
| Pré-amplificateur de
microphone |
|
|
|
|
| Avalon VT737 (+eq+comp mono) |
30 |
120 |
18 |
210 |
300 |
225 |
| Aphex AX207D
(stéréo tube) |
10 |
40 |
6 |
70 |
100 |
75 |
| Benchmark
MPS400 (quad) |
25 |
100 |
15 |
175 |
250 |
188 |
| Benchmark
PRE420 (quad + mixer) |
35 |
140 |
20 |
245 |
350 |
263 |
| DAD ADDA2408
(+AD/DA 8ch) |
100 |
400 |
58 |
700 |
1000 |
750 |
| D.W. Fearn
VT-2 (stéréo tube) |
40 |
160 |
23 |
280 |
400 |
300 |
| D.W. Fearn
VT-15 (+eq + comp mono) |
75 |
300 |
43 |
525 |
750 |
563 |
| Focusrite
ISA115 (+eq stéréo) |
75 |
300 |
43 |
525 |
750 |
563 |
| Midas XL-42
(+eq stéréo) |
35 |
140 |
20 |
245 |
350 |
263 |
| Millennia
HV3B (stéréo) |
25 |
100 |
15 |
175 |
250 |
188 |
| Millennia
HV3R (octo-remote) |
50 |
200 |
29 |
350 |
500 |
375 |
| Presonus
BlueTube (stéréo tube) |
10 |
40 |
6 |
70 |
100 |
75 |
| Requisite
Audio PAL+ mk3 (+comp tube) |
60 |
240 |
35 |
420 |
600 |
450 |
| RME Octamic-D
(+AD 8ch.) |
40 |
160 |
23 |
280 |
400 |
300 |
| SPL Channel
One (+eq+comp mono tube) |
30 |
120 |
18 |
210 |
300 |
225 |
| SPL
GainStation1 (mono tube) |
25 |
100 |
15 |
175 |
250 |
188 |
| SPL GoldMike
II (stéréo tube) |
25 |
100 |
15 |
175 |
250 |
188 |
| SPL Track One
(+eq + comp mono) |
20 |
80 |
12 |
140 |
200 |
150 |
| SSL Alpha VHD (quad) |
25 |
100 |
15 |
175 |
250 |
188 |
| TC Electronic
GoldChannel (stéréo digital) |
15 |
60 |
9 |
105 |
150 |
113 |
| Universal
Audio Solo610 (mono tube) / 710 |
20 |
80 |
12 |
140 |
200 |
150 |
| Vintage
Design M73D / M81D-II (mono) |
15 |
60 |
9 |
105 |
150 |
113 |
|
|
|
|
|
| Consoles… |
|
|
|
|
| Dangerous Music 2bus-lt |
20 |
80 |
12 |
140 |
200 |
150 |
| Mackie
8BUS/24 |
40 |
160 |
23 |
280 |
400 |
300 |
| Mackie
8BUS/32 |
50 |
200 |
29 |
350 |
500 |
375 |
| Mackie
1604VLZ-PRO |
20 |
80 |
12 |
140 |
200 |
150 |
| TLAudio
TubeMixer 8/2 |
60 |
240 |
35 |
420 |
600 |
450 |
| Yamaha
MG124CX |
15 |
60 |
9 |
105 |
150 |
113 |
| Yamaha
MG166CX |
25 |
100 |
15 |
175 |
250 |
188 |
| Yamaha
01V96V2 |
50 |
200 |
29 |
350 |
500 |
375 |
| Yamaha 02R |
N/D |
100 |
|
175 |
300 |
225 |
| Yamaha
02R96V2 |
125 |
500 |
72 |
875 |
1250 |
938 |
| Yamaha
DM1000V2 |
100 |
400 |
58 |
700 |
1000 |
750 |
| Yamaha
DM2000V2 |
350 |
1400 |
200 |
2450 |
3500 |
2625 |
|
|
|
|
|
| Égalisation |
|
|
|
|
|
| Avalon AD2055 (sur demande) |
N/D |
300 |
43 |
525 |
750 |
563 |
| Drawmer 1961
(stéréo tube) |
25 |
100 |
15 |
175 |
250 |
188 |
| Focusrite
ISA115 (stéréo) |
75 |
300 |
43 |
525 |
750 |
563 |
| Klark-Technik
(parametric stéréo) |
20 |
80 |
12 |
140 |
200 |
150 |
| Midas XL42
(stéréo) |
30 |
120 |
18 |
210 |
300 |
225 |
| Millennia
NSEQ-2 (stéréo dual path) |
45 |
180 |
26 |
315 |
450 |
338 |
|
|
|
|
|
|
| Contrôle dynamique… |
|
|
|
|
| Aphex 612 (gate stéréo) |
10 |
40 |
6 |
70 |
100 |
75 |
| Aphex
Compellor |
25 |
100 |
15 |
175 |
250 |
188 |
| Aphex
Expressor (mono) |
15 |
60 |
9 |
105 |
150 |
113 |
| Avalon VT747
(stéréo) |
40 |
160 |
23 |
280 |
400 |
300 |
| DBX 165A
(mono) |
20 |
80 |
12 |
140 |
200 |
150 |
| DBX 166 /
166A |
10 |
40 |
6 |
70 |
100 |
75 |
| Drawmer 1960 |
25 |
100 |
15 |
175 |
250 |
188 |
| Drawmer MX50
(de-esser stéréo) |
10 |
40 |
6 |
70 |
100 |
75 |
| Drawmer
DC2476 (dig) |
20 |
80 |
12 |
140 |
200 |
150 |
| Drawmer DL251
(stéréo) |
20 |
80 |
12 |
140 |
200 |
150 |
| D.W. Fearn
VT7 |
50 |
200 |
29 |
350 |
500 |
375 |
| Empirical
Labs Distressor (mono) |
25 |
100 |
15 |
175 |
250 |
188 |
| Focusrite
Compounder (stéréo) |
20 |
80 |
12 |
140 |
200 |
150 |
| Jünger d02
(dig) |
25 |
100 |
15 |
175 |
250 |
188 |
| Millennia
TCL-2 (stéréo dual path) |
35 |
140 |
20 |
245 |
350 |
263 |
| Requisite
Audio L2M (stéréo tube) |
75 |
300 |
43 |
525 |
750 |
563 |
| Smart
Research C2 (stéréo/double mono) |
50 |
200 |
29 |
350 |
500 |
375 |
| SPL Kultube
(stéréo) |
25 |
100 |
15 |
175 |
250 |
188 |
| SSL G324
(stéréo) (sur demande) |
50 |
200 |
29 |
350 |
500 |
375 |
| Summit
DCL-200 (stéréo) |
40 |
160 |
23 |
280 |
400 |
300 |
| TC Electronic
FinaliserPLUS (dig) |
20 |
80 |
12 |
140 |
200 |
150 |
| TC Electronic
M5000 w/MB2 |
50 |
200 |
29 |
350 |
500 |
375 |
|
|
|
|
|
| Traitement psycho-acoustique… |
|
|
|
|
| Eventide H3000S |
25 |
100 |
15 |
175 |
250 |
188 |
| Eventide
Eclipse3.0 |
35 |
140 |
20 |
245 |
350 |
263 |
| Lexicon 480L
+ LARC |
90 |
360 |
52 |
630 |
900 |
675 |
| Lexicon PCM90 |
25 |
100 |
15 |
175 |
250 |
188 |
| Sony MU-R201 |
20 |
80 |
12 |
140 |
200 |
150 |
| SPL Charisma
(stéréo) |
15 |
60 |
9 |
105 |
150 |
113 |
| SPL Transient
Designer 4ch. |
20 |
80 |
12 |
140 |
200 |
150 |
| SPL Vitaliser |
10 |
40 |
6 |
70 |
100 |
75 |
| TC Electronic
Fireworx |
30 |
120 |
18 |
210 |
300 |
225 |
| TC Electronic
M-ONE / D-TWO |
10 |
40 |
6 |
70 |
100 |
75 |
| TC Electronic
M5000 (double) |
40 |
160 |
23 |
280 |
400 |
300 |
| Yamaha REV500 |
10 |
40 |
6 |
70 |
100 |
75 |
|
|
|
|
|
| Enregistreur / Multipistes … |
|
|
|
|
| * INTERFACE Microlynx (sync) |
75 |
300 |
43 |
525 |
750 |
563 |
| * REMOTE
Alesis BRC / Tascam RC848 |
15 |
60 |
9 |
105 |
150 |
113 |
| 360systems
DigiCART / Replay / Shortcut |
65 |
260 |
38 |
455 |
650 |
488 |
| Alesis ADAT /
Fostex RD-8 |
30 |
120 |
18 |
210 |
300 |
225 |
| Dolby A /SR
(1 ch) |
25 |
100 |
15 |
175 |
250 |
188 |
| Fostex CR-200
(cd r) |
20 |
80 |
12 |
140 |
200 |
150 |
| Fostex D-5 |
25 |
100 |
15 |
175 |
250 |
188 |
| Fostex
D2424LV (24pistes digitales) |
50 |
200 |
29 |
350 |
500 |
375 |
| Fostex D25
(DAT TC) |
60 |
240 |
35 |
420 |
600 |
450 |
| MCI JH24
(24pistes analogue) |
N/D |
1200 |
172 |
2100 |
3000 |
2250 |
| Olympus LS-10
(flash) |
15 |
60 |
9 |
105 |
150 |
113 |
| Otari (2
pistes TC analogue) |
N/D |
200 |
29 |
350 |
500 |
375 |
| Sony PCM-7030
(DAT TC) |
85 |
340 |
49 |
595 |
850 |
638 |
| Sydec
Soundscape32 (nécessite ordi) |
50 |
200 |
29 |
350 |
500 |
375 |
| Tascam DA38/
DA88 |
40 |
160 |
23 |
280 |
400 |
300 |
| Tascam DA88
avec sync SY-88 |
60 |
240 |
35 |
420 |
600 |
450 |
| Tascam DA98HR |
75 |
300 |
43 |
525 |
750 |
563 |
| Tascam
DV-RA1000 (CD-r/DVD-r) |
25 |
100 |
15 |
175 |
250 |
188 |
| Tascam X-48
(48 pistes digitales) inclus écran/souris |
250 |
1000 |
143 |
1750 |
2500 |
1875 |
|
|
|
|
|
| Convertisseurs |
|
|
|
|
| Benchmark ADC1 (24bit,
192KHz) |
30 |
120 |
18 |
210 |
300 |
225 |
| Benchmark
DAC1 (24bit, 192KHz) |
20 |
80 |
12 |
140 |
200 |
150 |
| DAD ADDA2402
(2 ch. 24bit/96KHz) |
30 |
120 |
18 |
210 |
300 |
225 |
| DAD ADDA2408
(8 ch + micpre) |
100 |
400 |
58 |
700 |
1000 |
750 |
| Lynx Aurora 8
+carte option |
30 |
120 |
18 |
210 |
300 |
225 |
| Lynx Aurora
16 + carte option |
45 |
180 |
26 |
315 |
450 |
338 |
| Sonorus AD24
(8ch) |
10 |
40 |
6 |
70 |
100 |
75 |
| Sydec
IBox8-XLR24 (8ch AD/DA) |
25 |
100 |
15 |
175 |
250 |
188 |
| Sydec
IBox48-TA (24ch AD/DA) |
30 |
120 |
18 |
210 |
300 |
225 |
| Sydec
IBox-HD2MADI2 (Protools-MADI) |
40 |
160 |
23 |
280 |
400 |
300 |
| Sydec
IBox64-MADI-TA (24 ch. AD/DA) |
40 |
160 |
23 |
280 |
400 |
300 |
|
|
|
|
|
| Interface ordinateur
(installation en sus) |
| * Ordinateur rack
"dual-core" + écran LCD17 |
40 |
160 |
23 |
280 |
400 |
300 |
| Lynx L22 +
adapt. (2ch AD/DA + AES) |
10 |
40 |
6 |
70 |
100 |
75 |
| MOTU 828mkII
(firewire) |
20 |
80 |
12 |
140 |
200 |
150 |
| MOTU 896HD /
Traveler (firewire) |
25 |
100 |
15 |
175 |
250 |
188 |
| MOTU 1296 /
HD192 |
25 |
100 |
15 |
175 |
250 |
188 |
| Mark of the
Unicorn DTP |
15 |
60 |
9 |
105 |
150 |
113 |
| SSL
Duende-mini (DSP Firewire) |
20 |
80 |
12 |
140 |
200 |
150 |
| TC Electronic
Konnect8 |
15 |
60 |
9 |
105 |
150 |
113 |
| TC E.
Powercore Elem. + Restoration |
35 |
140 |
20 |
245 |
350 |
263 |
|
|
|
|
|
| Enceintes acoustique, écoute… |
|
|
|
|
| #* Rane HC6 (ampli d'écouteur
6 canaux) |
20 |
80 |
12 |
140 |
200 |
150 |
| #* Aphex
Headpod (ampli d'écouteur 4 canaux) |
10 |
40 |
6 |
70 |
100 |
75 |
| * Beyer
DT-250 |
10 |
40 |
6 |
70 |
100 |
75 |
| * Fostex
T40RP / Direct Sound EX29 |
5 |
20 |
3 |
35 |
50 |
38 |
| Caisson
sous-graves (Tannoy, Bluesky) |
15 |
60 |
9 |
105 |
150 |
113 |
| Avantone, KRK
V4mk2, TOA RS-21m (pr.) |
10 |
40 |
6 |
70 |
100 |
75 |
| BlueSky SAT5
(pr.) |
25 |
100 |
15 |
175 |
250 |
188 |
| M-Audio IE-30
(écouteurs) |
10 |
40 |
6 |
70 |
100 |
75 |
| Sennheiser
EW300IEM (écouteur en sus) |
40 |
160 |
23 |
280 |
400 |
300 |
| Tannoy
Precision 6D (pr.) |
40 |
160 |
23 |
280 |
400 |
300 |
| TC Helicon
VoiceSolo VSM300XT |
20 |
80 |
12 |
140 |
200 |
150 |
| Telex RTY
(écouteur bouton - IFB) |
10 |
40 |
6 |
70 |
100 |
75 |
| Yamaha MSP5
(pr.) |
20 |
80 |
12 |
140 |
200 |
150 |
| Yamaha MSP7
(pr.) |
30 |
120 |
18 |
210 |
300 |
225 |
| Yamaha MSR100
(moniteur 100w) |
20 |
80 |
12 |
140 |
200 |
150 |
| Yamaha MSR250
(hp amplifié 200w) |
25 |
100 |
15 |
175 |
250 |
188 |
| Yamaha MSR400
(hp amplifié 300w) |
35 |
140 |
20 |
245 |
350 |
263 |
| K&M 214/6
(pied-tripod pour haut-parleur amplifié) |
5 |
20 |
3 |
35 |
50 |
38 |
| Yamaha NS-10m
(pr.) |
30 |
120 |
18 |
210 |
300 |
225 |
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| Accessoires, … |
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| Couette 40pr. Transfo 250' |
250 |
1000 |
143 |
1750 |
2500 |
1875 |
| Couette 24pr
150' |
20 |
80 |
12 |
140 |
200 |
150 |
| Couette 20pr.
Fil-fil 50' |
10 |
40 |
6 |
70 |
100 |
75 |
| Fostex UC-8
(TDIF-AES-ADAT) |
20 |
80 |
12 |
140 |
200 |
150 |
| Horita
BlackBurst Generator |
15 |
60 |
9 |
105 |
150 |
113 |
| HME DX200
(Intercom sans-fils, 3 postes + casques) |
300 |
1200 |
172 |
2100 |
3000 |
2250 |
| Phantom PSU
(AKG N62E1) |
10 |
40 |
6 |
70 |
100 |
75 |
| Quiklok A50
(stand géant) |
10 |
40 |
6 |
70 |
100 |
75 |
| Radial
TwinIso (Transfo isolation double) |
20 |
80 |
12 |
140 |
200 |
150 |
| Rosendhal
Nanosync (Distro WC/BB) |
25 |
100 |
15 |
175 |
250 |
188 |
| Rosendhal
WIF2 (word master sync) |
15 |
60 |
9 |
105 |
150 |
113 |
| Reflexion
Filter / The Mic Thing |
10 |
40 |
6 |
70 |
100 |
75 |
| SE Electronic
PopScreen |
5 |
20 |
3 |
35 |
50 |
38 |
| Violet Audio
DX16XT (16ch split transfo) |
75 |
300 |
43 |
525 |
750 |
563 |
| VDB perche de
micro |
15 |
60 |
9 |
105 |
150 |
113 |
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| *** Les prix
indiquées sont sujet à changement sans pré-avis , charge min. 20$*** |
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