| <- BACK | $/jr | 1 sem | Jour + | 2 sem | mois | Mois + |
| Microphones… | ||||||
| ADK Area51-CE (tube) | 40 | 160 | 23 | 280 | 400 | 300 |
| AKG C-426 (stéréo) | 60 | 240 | 35 | 420 | 600 | 450 |
| AKG C414 B-TL II | 30 | 120 | 18 | 210 | 300 | 225 |
| AKG D112 | 10 | 40 | 6 | 70 | 100 | 75 |
| AKG C391B | 10 | 40 | 6 | 70 | 100 | 75 |
| AKG 451E / AKG 451EB | 10 | 40 | 6 | 70 | 100 | 75 |
| AKG 460B /CK61-ULS | 15 | 60 | 9 | 105 | 150 | 113 |
| AKG C535EB (elektret) | 15 | 60 | 9 | 105 | 150 | 113 |
| Audio Technica ATM 350 (clip) | 20 | 80 | 12 | 140 | 200 | 150 |
| Audix ADX50 (cardioide) | 10 | 40 | 6 | 70 | 100 | 75 |
| Audix SCX25 (cardioide) | 20 | 80 | 12 | 140 | 200 | 150 |
| Audix D4 | 10 | 40 | 6 | 70 | 100 | 75 |
| BEYER MC 930 | 20 | 80 | 12 | 140 | 200 | 150 |
| BEYER M160 (micro RUBAN) | 25 | 100 | 15 | 175 | 250 | 188 |
| BEYER OPUS 53 | 5 | 20 | 3 | 35 | 50 | 38 |
| BEYER OPUS87/88 (clip-on gooseneck) | 10 | 40 | 6 | 70 | 100 | 75 |
| BEYER OPUS99 | 15 | 60 | 9 | 105 | 150 | 113 |
| BEYER DRUMSET KIT (8 micros) | 100 | 400 | 58 | 700 | 1000 | 750 |
| Boite directe (Countryman, Radial) | 10 | 40 | 6 | 70 | 100 | 75 |
| C-Ducer (paire) | 30 | 120 | 18 | 210 | 300 | 225 |
| Coles 4040 (micro RUBAN) | 35 | 140 | 20 | 245 | 350 | 263 |
| Crown PZM | 15 | 60 | 9 | 105 | 150 | 113 |
| DPA 3528 (paire wide-cardioide + accessoires) | 80 | 320 | 46 | 560 | 800 | 600 |
| DPA 4004 (2) + PSU (omni) | 70 | 280 | 40 | 490 | 700 | 525 |
| DPA 4006 (omni) aka "B&K" | 35 | 140 | 20 | 245 | 350 | 263 |
| DPA 4015 (sub-cardioide) | 40 | 160 | 23 | 280 | 400 | 300 |
| DPA 4037 (compact omni) | 30 | 120 | 18 | 210 | 300 | 225 |
| DPA 4060 (miniature) | 25 | 100 | 15 | 175 | 250 | 188 |
| DPA 4088-B (cardio) 4066 (omni) | 25 | 100 | 15 | 175 | 250 | 188 |
| DPA 4090 (omni) | 20 | 80 | 12 | 140 | 200 | 150 |
| DPA 4099 (Instruments) | 30 | 120 | 18 | 210 | 300 | 225 |
| DPA CAP0400 (gooseneck pour 4028) | 10 | 40 | 6 | 70 | 100 | 75 |
| Earthworks SR-30 (cardioide) | 25 | 100 | 15 | 175 | 250 | 188 |
| Electrovoice RE-20 (cardioide) | 15 | 60 | 9 | 105 | 150 | 113 |
| Electrovoice RE-2000 (cardioide) | 25 | 100 | 15 | 175 | 250 | 188 |
| JZ Black Hole | 25 | 100 | 15 | 175 | 250 | 188 |
| JZ BT201 (paire) | 25 | 100 | 15 | 175 | 250 | 188 |
| JZ V47 / V67 | 30 | 120 | 18 | 210 | 300 | 225 |
| Lauten Audio Clarion (cardioide) | 20 | 80 | 12 | 140 | 200 | 150 |
| Lauten Audio Horizon (tube, cardiode) | 30 | 120 | 18 | 210 | 300 | 225 |
| Lauten Audio Oceanus (tube, multi-patron) | 40 | 160 | 23 | 280 | 400 | 300 |
| Neumann KM-130 | 30 | 120 | 18 | 210 | 300 | 225 |
| Neumann KM-150 (hypercardioide) | 30 | 120 | 18 | 210 | 300 | 225 |
| Neumann KM84i (paire) | 35 | 140 | 20 | 245 | 350 | 263 |
| Neumann KM-184 (cardioide- paire)) | 25 | 100 | 15 | 175 | 250 | 188 |
| Neumann KMS105 (hypercardioide à main) | 30 | 120 | 18 | 210 | 300 | 225 |
| Neumann TLM49 (cardioide) | 35 | 140 | 20 | 245 | 350 | 263 |
| Neumann TLM103 (cardioide) | 25 | 100 | 15 | 175 | 250 | 188 |
| Neumann TLM170 (multi-patron) | 50 | 200 | 29 | 350 | 500 | 375 |
| Neumann U47fet (cardioide) | 50 | 200 | 29 | 350 | 500 | 375 |
| Neumann U87 (multi-patron) | 50 | 200 | 29 | 350 | 500 | 375 |
| Neumann U89 (multi-patron) | 50 | 200 | 29 | 350 | 500 | 375 |
| Røde CLASSIC II (tube) | 25 | 100 | 15 | 175 | 250 | 188 |
| Røde NT1000 (cardioide) | 15 | 60 | 9 | 105 | 150 | 113 |
| Røde NT2 (cardioide) | 15 | 60 | 9 | 105 | 150 | 113 |
| Røde NT4 (stéréo) | 25 | 100 | 15 | 175 | 250 | 188 |
| Røde NT5 (paire cardioide) | 30 | 120 | 18 | 210 | 300 | 225 |
| Røde NT 2000 (multi-patron) | 25 | 100 | 15 | 175 | 250 | 188 |
| Royer R122 (micro RUBAN actif) | 25 | 100 | 15 | 175 | 250 | 188 |
| Schertler DYN-__-SET (micro contact) | 20 | 80 | 12 | 140 | 200 | 150 |
| SE Gemini | 30 | 120 | 18 | 210 | 300 | 225 |
| Sennheiser MD421u (cardioide) | 10 | 40 | 6 | 70 | 100 | 75 |
| Sennheiser MKH40 (cardioide) | 25 | 100 | 15 | 175 | 250 | 188 |
| Sennheiser MKH80 (multi-pattern) | 25 | 100 | 15 | 175 | 250 | 188 |
| Senheiser E845/E855/E865 | 5 | 20 | 3 | 35 | 50 | 38 |
| Senheiser E609 | 10 | 40 | 6 | 70 | 100 | 75 |
| Shure BETA 57 | 10 | 40 | 6 | 70 | 100 | 75 |
| Shure BETA 87A (cardioide) | 10 | 40 | 6 | 70 | 100 | 75 |
| Shure BETA 98 | 15 | 60 | 9 | 105 | 150 | 113 |
| Shure KSM32 (cardioide) | 15 | 60 | 9 | 105 | 150 | 113 |
| Shure SM57 (cardioide) | 5 | 20 | 3 | 35 | 50 | 38 |
| Shure SM 58 (cardioide) | 5 | 20 | 3 | 35 | 50 | 38 |
| Shure SM91 (plaque cardioide) | 15 | 60 | 9 | 105 | 150 | 113 |
| Microphones spéciaux… | ||||||
| Beyer DT290 (casque d'animateur, intercom) | 25 | 100 | 15 | 175 | 250 | 188 |
| DPA 4060 (lavalier) | 20 | 80 | 12 | 140 | 200 | 150 |
| DPA 4065/4066 (micro-casque) | 25 | 100 | 15 | 175 | 250 | 188 |
| DPA Windpac (windscreen-zeppelin) | 15 | 60 | 9 | 105 | 150 | 113 |
| Neumann KMR81r (shotgun) | 50 | 200 | 29 | 350 | 500 | 375 |
| Rode NTG1 / NTG2 (shotgun) | 20 | 80 | 12 | 140 | 200 | 150 |
| Sennheiser Evolution500 (sans-fils, micro en sus) | 65 | 260 | 38 | 455 | 650 | 488 |
| Sennheiser HMD25-1 (casque d'animateur) | 35 | 140 | 20 | 245 | 350 | 263 |
| Sennheiser MKE104 (lavalier pour s/f) | 10 | 40 | 6 | 70 | 100 | 75 |
| Sennheiser MKE2-GOLD (lavalier pour s/f) | 10 | 40 | 6 | 70 | 100 | 75 |
| Sennheiser MKH416 (shotgun) | 35 | 140 | 20 | 245 | 350 | 263 |
| Sennheiser MKH418 (shotgun stéréo) | 50 | 200 | 29 | 350 | 500 | 375 |
| Sennheiser MKH816 | 50 | 200 | 29 | 350 | 500 | 375 |
| Sennheiser MKH50 + suspension (hypercardioide) | 30 | 120 | 18 | 210 | 300 | 225 |
| Sennheiser MZA900P (adapt. 48v pour MKE104/MKE2) | 5 | 20 | 3 | 35 | 50 | 38 |
| Sennheiser SET1083 + MKE2 (sans-fils) | 30 | 120 | 18 | 210 | 300 | 225 |
| Sennheiser Zeppelin+susp. | 15 | 60 | 9 | 105 | 150 | 113 |
| Shure SM58 Wireless | 25 | 100 | 15 | 175 | 250 | 188 |
| Van Den Bergh perche-carbone | 15 | 60 | 9 | 105 | 150 | 113 |
| Pré-amplificateur de microphone | ||||||
| Audient ASP-008 (8 ch. + AD/DA ADAT/AES) | 30 | 120 | 18 | 210 | 300 | 225 |
| Benchmark MPS400 (4 ch.) | 25 | 100 | 15 | 175 | 250 | 188 |
| Benchmark PRE420 (4 ch. + mixer) | 35 | 140 | 20 | 245 | 350 | 263 |
| D&R Preamp (4ch) | 20 | 80 | 12 | 140 | 200 | 150 |
| DAD ADDA2408 (AD/DA 8ch) | 100 | 400 | 58 | 700 | 1000 | 750 |
| Drawmer 1960 (+ comp stereo) | 25 | 100 | 15 | 175 | 250 | 188 |
| Drawmer MX-60 (+ EQ & comp mono) | 10 | 40 | 6 | 70 | 100 | 75 |
| D.W. Fearn VT-2 (stéréo tube) | 40 | 160 | 23 | 280 | 400 | 300 |
| D.W. Fearn VT-15 (+eq + comp mono) | 75 | 300 | 43 | 525 | 750 | 563 |
| Empirical Lab MIKE-E (+ comp mono) | 30 | 120 | 18 | 210 | 300 | 225 |
| Focusrite ISA115 (+eq stéréo) | 75 | 300 | 43 | 525 | 750 | 563 |
| Focusrite ISA828 (8 ch. + AD/DA ADAT-AES) | 40 | 160 | 23 | 280 | 400 | 300 |
| Focusrite Liquid Channel (+EQ + comp mono) | 25 | 100 | 15 | 175 | 250 | 188 |
| Joe Meek VC2 (+ comp mono) | 20 | 80 | 12 | 140 | 200 | 150 |
| Manley MPB (mono) | 20 | 80 | 12 | 140 | 200 | 150 |
| Midas XL-42 (+eq stéréo) | 35 | 140 | 20 | 245 | 350 | 263 |
| Millennia HV3B (stéréo) | 25 | 100 | 15 | 175 | 250 | 188 |
| Millennia HV3R (8 ch. + remote) | 50 | 200 | 29 | 350 | 500 | 375 |
| Presonus BlueTube (stéréo tube) | 10 | 40 | 6 | 70 | 100 | 75 |
| Requisite Audio PAL+ mk3 (+comp tube) | 60 | 240 | 35 | 420 | 600 | 450 |
| SPL Channel One (+eq+comp mono tube) | 30 | 120 | 18 | 210 | 300 | 225 |
| SPL GainStation1 (mono tube) | 25 | 100 | 15 | 175 | 250 | 188 |
| SPL GoldMike II (stéréo tube) | 20 | 80 | 12 | 140 | 200 | 150 |
| SPL Track One (+eq + comp mono) | 20 | 80 | 12 | 140 | 200 | 150 |
| SSL Alpha VHD (4 ch.) | 20 | 80 | 12 | 140 | 200 | 150 |
| TC Electronic GoldChannel (stéréo digital) | 10 | 40 | 6 | 70 | 100 | 75 |
| Universal Audio 710 (Solid state +tube) | 20 | 80 | 12 | 140 | 200 | 150 |
| Vintage Design M73D / M81D-II (mono) | 15 | 60 | 9 | 105 | 150 | 113 |
| Consoles… | ||||||
| Mackie 8BUS/24 | 40 | 160 | 23 | 280 | 400 | 300 |
| Mackie 8BUS/32 | 50 | 200 | 29 | 350 | 500 | 375 |
| Mackie 1202 VLZ | 10 | 40 | 6 | 70 | 100 | 75 |
| Mackie 1604VLZ-PRO | 20 | 80 | 12 | 140 | 200 | 150 |
| Phonic AM642 | 10 | 40 | 6 | 70 | 100 | 75 |
| Phonic Helix24Universal | 25 | 100 | 15 | 175 | 250 | 188 |
| Yamaha MG124CX | 15 | 60 | 9 | 105 | 150 | 113 |
| Yamaha MG166CX | 25 | 100 | 15 | 175 | 250 | 188 |
| Yamaha 01V96V2 | 50 | 200 | 29 | 350 | 500 | 375 |
| Yamaha 02R | N/D | N/D | 200 | 400 | 300 | |
| Yamaha 02R96V2 | 125 | 500 | 72 | 875 | 1250 | 938 |
| Yamaha DM1000VCM | 100 | 400 | 58 | 700 | 1000 | 750 |
| Yamaha DM2000V2 | 350 | 1400 | 200 | 2450 | 3500 | 2625 |
| Yamaha LS9-16 | 90 | 360 | 52 | 630 | 900 | 675 |
| Yamaha LS9-32 | 150 | 600 | 86 | 1050 | 1500 | 1125 |
| Égalisation | ||||||
| Avalon AD2055 (stereo) | N/D | 300 | 43 | 525 | 750 | 563 |
| Drawmer 1961 (stéréo tube) | 25 | 100 | 15 | 175 | 250 | 188 |
| Empirical labs Lil FrEQ (mono) | 30 | 120 | 18 | 210 | 300 | 225 |
| Focusrite ISA115 (stéréo) | 75 | 300 | 43 | 525 | 750 | 563 |
| Midas XL42 (stéréo) | 35 | 140 | 20 | 245 | 350 | 263 |
| SPL Qure (tube stereo) | 40 | 160 | 23 | 280 | 400 | 300 |
| Millennia NSEQ-2 (stéréo dual path) | 45 | 180 | 26 | 315 | 450 | 338 |
| Contrôle dynamique… | ||||||
| Aphex 612 (gate stéréo) | 10 | 40 | 6 | 70 | 100 | 75 |
| Aphex Compellor | 25 | 100 | 15 | 175 | 250 | 188 |
| Aphex Expressor (mono) | 15 | 60 | 9 | 105 | 150 | 113 |
| Avalon VT747 (stéréo) | 40 | 160 | 23 | 280 | 400 | 300 |
| DBX 165A (mono) | 20 | 80 | 12 | 140 | 200 | 150 |
| Drawmer 1960 (stereo) | 25 | 100 | 15 | 175 | 250 | 188 |
| Drawmer MX50 (de-esser stéréo) | 10 | 40 | 6 | 70 | 100 | 75 |
| Drawmer DC2476 (digital) | 20 | 80 | 12 | 140 | 200 | 150 |
| Drawmer DL251 (stéréo) | 20 | 80 | 12 | 140 | 200 | 150 |
| D.W. Fearn VT7 (stereo - tube) | 50 | 200 | 29 | 350 | 500 | 375 |
| Empirical Labs Distressor (mono) | 30 | 120 | 18 | 210 | 300 | 225 |
| Jünger d02 (digital) | 20 | 80 | 12 | 140 | 200 | 150 |
| Millennia TCL-2 (stéréo dual path) | 35 | 140 | 20 | 245 | 350 | 263 |
| Requisite Audio L2M (stéréo tube) | 75 | 300 | 43 | 525 | 750 | 563 |
| Smart Research C2 (stéréo/double mono) | 40 | 160 | 23 | 280 | 400 | 300 |
| SPL Kultube (stéréo) | 30 | 120 | 18 | 210 | 300 | 225 |
| SPL Transpressor (comp + transient designer) | 20 | 80 | 12 | 140 | 200 | 150 |
| SSL G324 (stéréo) | 50 | 200 | 29 | 350 | 500 | 375 |
| Summit DCL-200 (stéréo) | 40 | 160 | 23 | 280 | 400 | 300 |
| TC Electronic FinaliserPLUS (dig) | 20 | 80 | 12 | 140 | 200 | 150 |
| TC Electronic M5000 w/MB2 | 40 | 160 | 23 | 280 | 400 | 300 |
| Traitement psycho-acoustique… | ||||||
| Eventide H3000S | 25 | 100 | 15 | 175 | 250 | 188 |
| Eventide Eclipse3.0 | 35 | 140 | 20 | 245 | 350 | 263 |
| Lexicon 480L + LARC | 90 | 360 | 52 | 630 | 900 | 675 |
| Lexicon PCM90 | 25 | 100 | 15 | 175 | 250 | 188 |
| Sony MU-R201 | 20 | 80 | 12 | 140 | 200 | 150 |
| SPL Charisma (stéréo) | 10 | 40 | 6 | 70 | 100 | 75 |
| SPL Transient Designer 4ch. | 20 | 80 | 12 | 140 | 200 | 150 |
| SPL Transpressor (comp + transient designer) | 20 | 80 | 12 | 140 | 200 | 150 |
| SPL Vitaliser | 10 | 40 | 6 | 70 | 100 | 75 |
| TC Electronic Fireworx | 30 | 120 | 18 | 210 | 300 | 225 |
| TC Electronic D-TWO | 10 | 40 | 6 | 70 | 100 | 75 |
| TC Electronic M5000 (double) | 40 | 160 | 23 | 280 | 400 | 300 |
| Yamaha REV500 | 10 | 40 | 6 | 70 | 100 | 75 |
| Enregistreur / Multipistes … | ||||||
| * INTERFACE Microlynx (sync) | 75 | 300 | 43 | 525 | 750 | 563 |
| * REMOTE Alesis BRC | 15 | 60 | 9 | 105 | 150 | 113 |
| * REMOTE Tascam RC-848 | 15 | 60 | 9 | 105 | 150 | 113 |
| 360systems DigiCART | 65 | 260 | 38 | 455 | 650 | 488 |
| 360systems Instant Replay | 65 | 260 | 38 | 455 | 650 | 488 |
| 360systems Shortcut | 65 | 260 | 38 | 455 | 650 | 488 |
| Alesis ADAT / Fostex RD-8 | 30 | 120 | 18 | 210 | 300 | 225 |
| Digidesign Pro Tools9 HD2 + 96IO | 300 | 1200 | 172 | 2100 | 3000 | 2250 |
| Dolby A (1 ch) | 25 | 100 | 15 | 175 | 250 | 188 |
| Dolby SR (1ch) | 25 | 100 | 15 | 175 | 250 | 188 |
| Fostex CR-200 (cd r) | 20 | 80 | 12 | 140 | 200 | 150 |
| Fostex D-5 | 25 | 100 | 15 | 175 | 250 | 188 |
| Fostex D2424LV (24 pistes digitales) | 50 | 200 | 29 | 350 | 500 | 375 |
| Fostex D25 (DAT TC) | 60 | 240 | 35 | 420 | 600 | 450 |
| HHB CDR-830 | 20 | 80 | 12 | 140 | 200 | 150 |
| MCI JH24 (24pistes analogue) | N/D | 1200 | 172 | 2100 | 3000 | 2250 |
| Olympus LS-10 (flash) | 15 | 60 | 9 | 105 | 150 | 113 |
| Otari (2 pistes TC analogue) | N/D | 200 | 29 | 350 | 500 | 375 |
| Sony PCM-7030 (DAT TC) | 85 | 340 | 49 | 595 | 850 | 638 |
| Sydec Soundscape32 (nécessite ordi) | 50 | 200 | 29 | 350 | 500 | 375 |
| Tascam DA38/ DA88 | 40 | 160 | 23 | 280 | 400 | 300 |
| Tascam DA88 avec sync SY-88 | 50 | 200 | 29 | 350 | 500 | 375 |
| Tascam DA98HR | 75 | 300 | 43 | 525 | 750 | 563 |
| Tascam DAP-1 (DAT portatif) | 25 | 100 | 15 | 175 | 250 | 188 |
| Tascam DR-100 (portatif avec entrées micro 48v) | 20 | 80 | 12 | 140 | 200 | 150 |
| Tascam DV-RA1000 (CD-r/DVD-r) | 25 | 100 | 15 | 175 | 250 | 188 |
| Tascam X-48 (48 pistes digitales) inclus écran/souris | 175 | 700 | 100 | 1225 | 1750 | 1313 |
| Convertisseurs | ||||||
| Apogee Big Ben (Gen. Wordclock) | 20 | 80 | 12 | 140 | 200 | 150 |
| Apogee Rosetta800 (8ch 24bit 96KHz, firewire) | 30 | 120 | 18 | 210 | 300 | 225 |
| Benchmark ADC1 (stéréo ADC 24bit, 192KHz) | 30 | 120 | 18 | 210 | 300 | 225 |
| Benchmark DAC1 (stéréo DAC 24bit, 192KHz) | 20 | 80 | 12 | 140 | 200 | 150 |
| DAD ADDA2402 (stéréo ADC/DAC 24bit/96KHz) | 30 | 120 | 18 | 210 | 300 | 225 |
| DAD ADDA2408 (8ch + micpre) | 100 | 400 | 58 | 700 | 1000 | 750 |
| Lucid AD9624 (stéréo ADC 24bit 96KHz) | 20 | 80 | 12 | 140 | 200 | 150 |
| Lucid DA9624 (stéréo DAC 24bit 96KHz) | 20 | 80 | 12 | 140 | 200 | 150 |
| Lynx Aurora 8 +carte option (FW, ADAT, USB, MADI) | 30 | 120 | 18 | 210 | 300 | 225 |
| Lynx Aurora 16 + carte option (FW, ADAT, USB, MADI) | 45 | 180 | 26 | 315 | 450 | 338 |
| Mutec MC3.2 (gen wordclock + blackburst) | 25 | 100 | 15 | 175 | 250 | 188 |
| Soundscape IBox8-XLR24 (8ch AD/DA) | 25 | 100 | 15 | 175 | 250 | 188 |
| Sydec IBox48-TA (24ch AD/DA) | 30 | 120 | 18 | 210 | 300 | 225 |
| Sydec IBox-HD2MADI2 (Protools-MADI) | 75 | 300 | 43 | 525 | 750 | 563 |
| Sydec IBox64-MADI-TA (24 ch. AD/DA) | 40 | 160 | 23 | 280 | 400 | 300 |
| Interface ordinateur (installation en sus) | ||||||
| * Ordinateur rack "dual-core" + écran LCD17 | 40 | 160 | 23 | 280 | 400 | 300 |
| * Ordinateur Apple Mac Book 13" (USB) | 20 | 80 | 12 | 140 | 200 | 150 |
| Apogee DUET (2ch, FW) | 15 | 60 | 9 | 105 | 150 | 113 |
| Lynx L22 + adapt. (2ch AD/DA + AES, PCI) | 10 | 40 | 6 | 70 | 100 | 75 |
| M-Audio MidiSport2x2 (MIDI USB) | 5 | 20 | 3 | 35 | 50 | 38 |
| MOTU 828mkII (firewire) | 20 | 80 | 12 | 140 | 200 | 150 |
| MOTU 896HD (firewire) | 25 | 100 | 15 | 175 | 250 | 188 |
| MOTU HD192 (PCI) | 20 | 80 | 12 | 140 | 200 | 150 |
| MOTU Traveler (firewire) | 25 | 100 | 15 | 175 | 250 | 188 |
| Mark of the Unicorn DTP (synchro MIDI) | 15 | 60 | 9 | 105 | 150 | 113 |
| RME Fireface UC (USB) | 15 | 60 | 9 | 105 | 150 | 113 |
| SSL Duende (carte DSP firewire) | 20 | 80 | 12 | 140 | 200 | 150 |
| SSL MADI MX4 (PCIe) | 50 | 200 | 29 | 350 | 500 | 375 |
| SSL MADI-XTREME (PCIe) | 30 | 120 | 18 | 210 | 300 | 225 |
| TC Electronic Impact Twin (firewire) | 15 | 60 | 9 | 105 | 150 | 113 |
| TC E. Powercore Firewire (ou Element + Restoration) | 35 | 140 | 20 | 245 | 350 | 263 |
| Enceintes acoustique, écouteurs, etc… | ||||||
| #* Aphex Headpod (ampli d'écouteur 4 canaux) | 15 | 60 | 9 | 105 | 150 | 113 |
| #* Hearback-4 (ampli d'écouteurs 4 canaux) | 30 | 120 | 18 | 210 | 300 | 225 |
| #* Rane HC6 (ampli d'écouteurs 6 canaux) | 20 | 80 | 12 | 140 | 200 | 150 |
| #* SM Pro HP6E (ampli d'écouteurs 6 canaux) | 15 | 60 | 9 | 105 | 150 | 113 |
| * Beyer DT-250 | 10 | 40 | 6 | 70 | 100 | 75 |
| * Direct Sound EX29 | 5 | 20 | 3 | 35 | 50 | 38 |
| * Fostex T40RP | 5 | 20 | 3 | 35 | 50 | 38 |
| * M-Audio IE-30 (écouteurs IEM) | 10 | 40 | 6 | 70 | 100 | 75 |
| * Shure SCL3 (écouteurs IEM) | 10 | 40 | 6 | 70 | 100 | 75 |
| * Telex RTY (écouteur bouton - IFB) | 10 | 40 | 6 | 70 | 100 | 75 |
| Avantone (paire) | 10 | 40 | 6 | 70 | 100 | 75 |
| BlueSky ProDesk 5,1 | 70 | 280 | 40 | 490 | 700 | 525 |
| BlueSky SAT5 (paire) | 25 | 100 | 15 | 175 | 250 | 188 |
| Bluesky SUB8 Universal | 15 | 60 | 9 | 105 | 150 | 113 |
| Presonus CENTRAL STATION + remote | 20 | 80 | 12 | 140 | 200 | 150 |
| K&M 214/6 (pied-tripod pour haut-parleur amplifié) | 5 | 20 | 3 | 35 | 50 | 38 |
| Sennheiser EW300IEM (écouteur en sus) | 40 | 160 | 23 | 280 | 400 | 300 |
| Tannoy Precision 6D (paire) | 40 | 160 | 23 | 280 | 400 | 300 |
| Tannoy TS-10 | 15 | 60 | 9 | 105 | 150 | 113 |
| TC Helicon VoiceSolo VSM300XT | 20 | 80 | 12 | 140 | 200 | 150 |
| Yamaha MSP5 (paire) | 20 | 80 | 12 | 140 | 200 | 150 |
| Yamaha MSP7 (paire) | 30 | 120 | 18 | 210 | 300 | 225 |
| Yamaha MSR100 (moniteur 100w) | 20 | 80 | 12 | 140 | 200 | 150 |
| Yamaha MSR250 (hp amplifié 200w) | 25 | 100 | 15 | 175 | 250 | 188 |
| Yamaha MSR400 (hp amplifié 300w) | 35 | 140 | 20 | 245 | 350 | 263 |
| Accessoires, … | ||||||
| Couette 12 pr 125' | 0 | 0 | 0 | 0 | 0 | |
| Couette 20 pr. Fil-fil 50' | 10 | 40 | 6 | 70 | 100 | 75 |
| Couette 40 pr. Transfo 250' | 250 | 1000 | 143 | 1750 | 2500 | 1875 |
| Drawmer Kickbox (ampli. de distribution 4x4) | 20 | 80 | 12 | 140 | 200 | 150 |
| Fostex UC-8 (TDIF-AES-ADAT) | 20 | 80 | 12 | 140 | 200 | 150 |
| HME DX200 (Intercom sans-fils, 3 postes + casques) | 300 | 1200 | 172 | 2100 | 3000 | 2250 |
| Horita BlackBurst Generator | 15 | 60 | 9 | 105 | 150 | 113 |
| Little Labs IBP (Outil d'alignement de phase analogique) | 15 | 60 | 9 | 105 | 150 | 113 |
| Mutec MC3 (Générateur WC/BB) | 25 | 100 | 15 | 175 | 250 | 188 |
| Phantom PSU (AKG N62E1) | 10 | 40 | 6 | 70 | 100 | 75 |
| Quiklok A50 (stand géant) | 10 | 40 | 6 | 70 | 100 | 75 |
| Radial TwinIso (Transfo isolation double) | 20 | 80 | 12 | 140 | 200 | 150 |
| Reflexion Filter / The Mic Thing (panneaux d'isolation) | 10 | 40 | 6 | 70 | 100 | 75 |
| SE Electronic PopScreen | 5 | 20 | 3 | 35 | 50 | 38 |
| VDB perche de micro | 15 | 60 | 9 | 105 | 150 | 113 |
| Violet Audio DX16XT (16 ch split transfo) | 75 | 300 | 43 | 525 | 750 | 563 |
| *** Les prix indiquées sont sujet à changement sans pré-avis , charge minimum de 20$ *** | ||||||